Jinn inhabits the space between the visible and the unseen — the threshold where image, spirit, and body blur. Working in the language of shadow, reflection, and gesture, the series resists interpretation and demands to be felt rather than understood.
Photography, here, becomes a ritual act — an invocation that transforms light into presence. The images refuse explanation, cultivating opacity as a form of resistance and protection. In this sense, Jinn itself becomes an alchemical vessel where transformation happens beyond comprehension, where truth remains tender, elusive, and partially veiled.
